
Recording direction: Jan Matoušek
Sound engineer: Miroslav Mareš
Recorded:
in the Church of Our Lady Queen of Angels in Prague
Sepetmber 2005
With special thanks to:
the Capuchin Monastery in Prague for making the Church of Our Lady Queen of Angels accesible for the recording.
| Šimon Brixi (1693 – 1735) |
Graduale Pro Dominica Quinquagesimae proprium a moll |
Jan Josef Ignác Brentner (1689 – 1742) |
Concerto V. F dur (Horae pomeridianae op. 4, Praha 1720) |
| Francesco Bartolomeo Conti (1682 – 1732) |
Aria de la Madonna Santissima c moll |
| František Ignác Antonín Tůma (1704 – 1774) |
Partita C dur |
| Jan Josef Ignác Brentner (1689 – 1742) |
Aria V. G dur (Harmonia duodecatometria ecclesiatica op. 1, Labaun, Praha 1716) |
| Jan Josef Ignác Brentner (1689 – 1742) |
Concerto III. B dur (Horae pomeridianae op. 4, Labaun, Praha 1720) |
| Jan Josef Ignác Brentner (1689 – 1742) |
Aria II. c moll (Harmonia duodecatometria ecclesiatica op. 1, Labaun, Praha 1716) |
| Antonín Reichenauer (1694? – 1730) |
Concerto B dur |
| Antonín Reichenauer (1694? – 1730) |
Aria de Adventu F dur |
| Johann Friedrich Fasch (1688 – 1758) |
Concerto D dur |
Performed by:
Collegium Marianum Ensemble
artistic direction Jana Semerádová
Hana Blažíková (1, 5, 10, 15, 20) – soprano
Helena Zemanová (1-5, 10-14, 16-23) – baroque violin
Cecilie Valtrová (1-5, 10-14, 20-23) – baroque violin
Vojtěch Semerád (1-5, 10-14, 20-23) – baroque viola
Hana Fleková (1-23) – baroque violoncello
Luděk Braný (1-5, 9-14, 16-23) – baroque double bass
Jan Krejča (1-23) – theorbe, baroque guitar
Pablo Kornfeld (1-6, 9-14, 16-23) – organ, harpsichord
Jana Semerádová (4-10, 15, 21-23) – flauto traverso
Julie Braná (4, 10, 21-23) – flauto traverso