Under the Wings of Angels
J. S. Bach, J. Ph. Kirnberger, J. F. Fasch
Lobkowicz Palace, Imperial Hall
The opening concert of the 25th anniversary edition of the Baroque Soirées will remind us of the timeless and deeply spiritual beauty of the arias from the sacred cantatas of Johann Sebastian Bach, which will be performed by one of their most accomplished interpreters – soprano Hana Blažíková. In his church cantatas, Bach masterfully worked with the musical setting of the text, using various compositional techniques, including so-called musical-rhetorical figures. Not only the key used, but also the melody’s progression and harmonic sequence reflected the meaning of the sung words. Johann Sebastian Bach, as a composer with a broad musical vision, was also inspired by various musical styles, including the Italian arioso and French elegance in ornamentation and rhythm. The knowledge and popularity of French music among German composers will also be evidenced in the programme by an overture composed by Johann Bernhard Bach, the second cousin of the great Johann Sebastian.
COLLEGIUM MARIANUM
Jana Semerádová | artistic director, flauto traverso
Lenka Torgersen | concert master
Magdalena Malá | Baroque violin
Andreas Torgersen | Baroque viola
Hana Fleková | Baroque cello
Jan Krejča | theorbo
Luděk Braný | doublebass
Filip Hrubý| harpsichord, organ
Advance ticket sales for the spring series concerts will begin 13 March 2025.
TICKETS ONLINE
Concert Programme
Johann Bernhard Bach (1676–1749)
Ouvertura e moll
Johann Sebastian Bach (1685–1750)
Gottes Engel weichen nie
from cantata Man singet mit Freuden vom Sieg, BWV 149
Bete, aber auch dabei
from cantata Mache dich, mein Geist, bereit, BWV 115
Choral prelude Von Himmel kam der Engel Schaar, BWV 607
Öffne dich, mein ganzes Herze
from cantata Nun komm, der Heiden Heiland, BWV 61
Ich wünschte mir den Tod
from cantata Selig ist der Mann, BWV 57
Suite in b minor, BWV 1067
Himmlische Vergnügsamkeit
from cantata Ich bin in mir vergnügt, BWV 204